I left engineering to pursue painting — a discipline where I explore the boundaries of figuration and abstraction, and where each challenge sparks creativity. Inspired by the contrasting perspectives of Picasso and Worringer on abstraction, my discovery of Riegl expanded my exploration of form, material, and the relationship between art and society.

My artistic path can be consulted by clicking here.

 I work with tempera on traditional gesso, encaustic, pastel on abrasive surfaces, and watercolor.